Unfinished Anatomy does not present a fixed image, but a state. The work unfolds as a field of pulsing, growth, and disappearance, in which forms emerge, shift, and dissolve again. Lines connect and intersect, like traces of movement, thoughts, or memories that refuse to settle.

The layered textile elements suggest an anatomy that is never completed. Not as a lack, but as a point of departure. The body, or what stands in for it, is not understood here as a closed system, but as something continuously in the process of becoming. Fragments interlock, touch, and then release.

The work invites wandering and following, holding on and letting go. What becomes visible is not a snapshot, but a rhythm: a temporary ordering within an ongoing cycle of becoming, in which meaning does not fix itself, but remains in motion.